On Tuesday, the film ‘Bhool Chuk Maaf’ proved its box office strength by maintaining steady earnings, showing no signs of slowing down. Meanwhile, the movies ‘Kesari Veer’ and ‘Kapkapiii’ failed to impress and have been declared disasters.
‘Bhool Chuk Maaf’ Continues Its Winning Streak
Starring Rajkummar Rao and Vamika Gabbi, ‘Bhool Chuk Maaf’ has surprised many by holding its ground firmly even after the opening weekend. Despite mixed reviews and controversy around its theater and OTT release, the film is winning hearts at the box office.
On its 5th day (Tuesday), the movie earned ₹4.50 crore, the same amount it made on Monday. Over these five days, it has already recovered 74% of its ₹50 crore budget. The film is showing an average occupancy of about 24% in theaters, a strong number for a sci-fi romantic comedy.
Daily Box Office Collections of ‘Bhool Chuk Maaf’
- Day 1 (Friday): ₹7.00 crore
- Day 2 (Saturday): ₹9.50 crore
- Day 3 (Sunday): ₹11.50 crore
- Day 4 (Monday): ₹4.50 crore
- Day 5 (Tuesday): ₹4.50 crore
So far, the movie’s total net collection in India stands at ₹37 crore.
Worldwide Earnings and Future Outlook
Globally, ‘Bhool Chuk Maaf’ has earned around ₹45.50 crore, with ₹1.70 crore coming from overseas markets in five days. Industry experts expect the movie to recover its full budget comfortably by the second weekend, marking it as the third Bollywood hit of 2025 after Chhava and Red 2.
‘Kesari Veer’ and ‘Kapkapiii’ Struggle to Make an Impact
In contrast, ‘Kesari Veer’, starring Suniel Shetty, Suraj Pancholi, and Vivek Oberoi, and ‘Kapkapiii’, featuring Shreyas Talpade and Tusshar Kapoor, have failed to attract audiences.
In five days, ‘Kesari Veer’ earned just ₹1.21 crore net, while ‘Kapkapiii’ managed ₹1.15 crore. On Tuesday, the collections were low with ‘Kesari Veer’ making only ₹13 lakh and ‘Kapkapiii’ ₹16 lakh, both far below expectations.
Conclusion
While ‘Bhool Chuk Maaf’ keeps climbing steadily and is expected to be a hit, the other two releases are floundering badly at the box office. Audience preference clearly favors the former, showing that good content can win despite early doubts.
